BASED IN LOS ANGELES CALIFORNIA, JOSH.LOCKHART USES HIS MUSIC TO INTERPRET CONTEMPORARY ISSUES THROUGH A SONIC SPECTRUM. HIS LIVE PERFORMANCE IS HYPNOTIZING. HE HAS THE ABILITY TO INDIVIDUALIZE AN ATTENDEES EXPERIENCE AMIDST A CROWD OF ANY SIZE. HE HAS MANAGED TO TURN HIS CHILDHOOD AFFINITY FOR WORDS AND MELODY, INTO HIS PERSONAL AND PROFESSIONAL EXISTENCE WITHIN THE WORLD.

HE HAS SPENT THE GREATER PART OF THE LAST DECADE EDUCATING HIMSELF ON CLASSICAL/JAZZ REPERTOIRE, CONTEMPORARY/TOP 40 POPULAR MUSIC, AND ALSO DEVELOPED FULL COMMAND OVER PIANO/KEYBOARD, KEY BASS, ABLETON LIVE, AND LOGIC. HE MERGES THESE SKILLS ALONGSIDE HIS POET-INFLUENCED/EVOLVED RAP DELIVERY, AND SOMEHOW LANDS RIGHT IN THE CENTER OF WHAT’S CURRENTLY RELEVANT.

HE PULLS INFLUENCE FROM HYPER REALISTIC PAINTING AND ITS EXTREME ATTENTION TO DETAIL AND SYSTEMATIC APPROACH TO BRINGING DESIGNS TO LIFE. THE NOTION OF TEDIOUSLY WORKING THROUGH IDEAS AND CONCEPTS ACROSS EVERY STAGE OF PRODUCTION, IS ONE THAT HE FINDS APPLICABLE AND BENEFICIAL WITH EACH ASPECT OF HIS OWN CAREER. HE USES THIS IDEOLOGY LARGELY FOR HIS LIVE EXHIBITION, ENSURING THE AUDIENCE HAS A SUBMERGED, MEMORABLE EXPERIENCE.

HE’S FOUND VARIOUS INSPIRATIONAL INTERSECTIONS BETWEEN HIS MUSIC, AND THE SOCIETAL CLIMATE OF ASSORTED ANTIQUATED CIVILIZATIONS (AND THE ART LEFT BEHIND). SPECIFICALLY, THEIR UNDERSTANDING OF ENGINEERING LONG WITHSTANDING PIECES OF ART. ALSO, THE THOROUGH DOCUMENTATION OF THEIR HISTORY FOR FUTURE GENERATIONS TO STUDY AND ULTIMATELY EVOLVE. AND LASTLY, THEIR CONNECTION TO A DIVINE SET OF BEINGS/ENERGIES; ALL OF WHICH JOSH ALSO USES IN HIS APPROACH TO CREATING AND SHARING HIS MUSIC/ART WITH THE WORLD. OF COURSE, HIS EXECUTION IS A BIT UPDATED FROM HIS PREDECESSORS OF ANTIQUITY, HE, UTILIZING DIGITAL ART & MEDIA ALONG WITH ELECTRONIC INSTRUMENTS AND SUPPLEMENTARY DEVICES TO CREATE AN ATMOSPHERE NOTHING SHORT OF SUBLIME.

MAKE NO MISTAKE, JOSH.LOCKHART IS BURNING THE ROOF AND DEMOLISHING THE HOUSE WITH EACH RELEASE, LIVE PERFORMANCE, AND PIECE OF CONTENT. HIS COMPELLING STAGE PRESENCE AND SUBJECT MATTER IS UNIVERSALLY RECEIVED, PRAISED, AND APPRECIATED. AND HIS MUSIC IS A BRILLIANT SPLOTCH OF YELLOW IN AN OTHERWISE DISMALLY MONOCHROME CREATIVE LANDSCAPE.